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![]() [Larger view] | Native Son (Perennial Classics)
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Understanding Native Son | |
| Native Son is perhaps the best book that I have ever read. I can not directly relate to this book, because i have not been exposed to the conditions that are present in this book. However, I can imagine, being an African-American myself, what it was like during the time described in Native Son. In reading this book, I have definately gained an appreciation for the present and for the conditions that I live in. It has also given me a greater apppreciation for literature. Through Native Son, Richard Wright addresses the injustices that African-Americans endured during the 1930's. In reading the book, one must understand that Wright is not trying to portray whites as racist or as villains. He is simply trying to show the graveness of black people's condition and oppression. The purpose of this book is to show the black man's struggle to give meaning to his life despite living in a prejudiced society. He illustrates a troubled man's fear, flight, and fate. Bigger Thomas, the main character, represents the struggle of the black man. He represents the black man that refuses to be tamed by white society. He is an outsider, who, through his "trials" and tribulations, defines his life, finds his place in the world, and establishes his equality. Bigger, however, acheives these goals through violence, because he is surrounded by it; it is all he knows. This character makes up only one of millions of Biggers out their who revolt against the injustices of society. They are the products of American society, and therefore fit their names: "native sons." | |
A Really Good Read | |
| Native Son is an excellent book that is quite deep on many levels. Richard Wright does an incredibly nice job of developing his main character, Bigger Thomas. Bigger is a twenty year-old poor black man hired by a wealthy white family, and then accidentally kills the prominent young daughter out of fear. In covering up her death, he allows his emotions to get the better of him, and he rapes and kills another girl. The first two sections of the book are loaded with intrigue, suspense, and drama, as the reader is right there with Bigger as he tries to mislead the murder investigation, and then runs from the large angry masses once his cover-up is foiled. The third section allows you to get into Bigger's mind and feel his confused emotions. Here, the reader is treated to Wright's views on society mainly through the voice of Bigger's trial attorney. The language in the book is easy-flowing, and not terribly descriptive, which was done intentionally, so the reader could read between the lines and make clear assumptions. All in all, the novel was quite entertaining and rather eye-opening. | |
Powerful Appeal | |
| Author Richard Wright (1908-60) was a master of description, and he captures the feel of Chicago and our often cold-shouldered society in this bitter 1940 classic. It's the story of Bigger Thomas, a self-loathing young black man that accidentally kills a white coed, and then kills again in an effort to evade detection. Bigger is hardly sympathetic, but his tragic hand is forced in part by racism. It's as if the author is saying, "Your injustices helped create Bigger Thomas!" Wright's gripping (if contrived) treatment of Bigger's trial indicts such peripheral characters as Mr. Dalton, a supposedly decent man that funds Negro charities - but only after fleecing blacks in the rental market. Readers come away understanding the cruelties of racial injustice, and comprehending why Wright might have named his character Bigger. Some say this classic was loosely based on a 1938 killing on the city's South Side. NATIVE SON is rather wordy in its last chapters, and many dislike the author's pro-communism - naïve sentiments Wright later dropped after learning more about Stalinist Russia. Despite these minor flaws, this classic is gripping, persuasive, and probably Wright's best work. |