![]() [Larger view] | Battleship Potemkin
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Average user rating: ![]() | |
Brilliant, Seldom Equaled | |
| Based on actual events of 1905, silent film THE BATTLESHIP POTEMKIN concerns an Imperial Russian ship on which abominable conditions lead to a mutiny. Shocked by conditions on the ship, citizens of the port city Odessa rally to the mutineers' support--and in consequence find themselves at the mercy of Imperial forces, who attack the civilian supporters with savage force. POTEMKIN is a film in which individual characters are much less important than the groups and crowds of which they are members, and it achieves its incredible power by showing the clash of the groups and crowds in a series of extraordinarily visualized and edited sequences. Amazingly, each of these sequences manage to top the previous one, and the film actually builds in power as it moves from the mutiny to the citizen's rally to the massacre on the Odessa steps--the latter of which is among the most famous sequences in all of film history. Filming largely where the real events actually occurred, director Eisenstein's vision is extraordinary as he builds--not only from sequence to sequence but from moment to moment within each sequence--some of the most memorable images ever committed to film. To describe POTEMKIN as a great film is something of an understatement. It is an absolute essential, an absolute necessity to any one seriously interested in cinema as an art form, purely visual cinema at its most brilliant, often imitated, seldom equaled, never bested. | |
Only if you can get it cheap. No special features. | |
| The movie: 5 stars. The dvd edition: 2 stars, okay picture, good score, no special features, average on the whole. A nice little DVD edition, if you get it cheap. Not worth the same price as a Criterion DVD for its lack of special features and general cheap-lookingness. Image was quite good, especially for a silent. The score, i believe, composed by Eistenstein collaborator Prokofiev, was wonderful. If this is your only way of seeing Battleship Potemkin, however, i couldn't recommend it highly enough. The main attraction of this DVD is the movie itself, which is more than worth the price of entry. No matter how many people tell you about the Odessa steps sequence, you'll still be impressed by it. The most moving single sequence in all of silent cinema - and one of my favourite sequences in all cinema. Such brilliant editing, such brilliant movement down the steps. And the imaginative little episodes as we move down the steps: the famous pram rolling down the steps, the little boy who gets shot and trampled on, his wailing mother who picks him up and marches up the steps towards the descending cossacks (this moment is pictured on the DVD cover). The movie is a very moving experience, and has become one of my favourites. If there is no Criterion edition or edition with special features, i'd say get this (but try not to pay too much for it - as i said, its pretty much just the movie). | |
Massacre at the Odessa Steps. | |
| Whenever the subject of Sergei Eisenstein's "The Battleship Potemkin" comes up, it is virtually impossible not to immediately think of the amazing Odessa Steps sequence, but there is so much more to admire about this landmark film in addition to that legendary moment. It takes only one look to realize that it still maintains all of the emotional power and technical brilliance that it possessed all those decades ago. The crew of the Battleship Potemkin returns home after its battle against Japan. A mutiny erupts onboard after the crew is given contaminated rations and soon news of their rebellious movement reaches shore. The sympathetic townspeople near the ship send them food and water but they are soon fired upon by troops sent to deal with the mutineers. The Russian fleet is then dispatched to destroy the Potemkin and put an end to the uprising. "The Battleship Potemkin" is a propaganda product that has exceeded its original purpose to become something much more significant. When it was first made, the film was more important for its commentary on class struggle but it is now more renown for its innovations in cinematic storytelling. Eisenstein's use of juxtaposed images was the origin of the modern film montage and his editing techniques gave rise to a faster and more energetic narrative style that was much more satisfying than the start-and-stop, jarring method that characterized other films of the era. The expert craftsmanship typical of so many films made today owe "The Battleship Potemkin" a debt of gratitude for influencing their look and feel. Clearly this is one ship that has not sailed into the sunset to be forgotten. |