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![]() [Larger view] | Dwight Yoakam - Tomorrow's Sounds Today
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"TOMORROW'S SOUNDS TODAY - ESSENTIAL COUNTRY ! | |
| Dwight Yoakam is the shining light of Contemporary Country Music - a brilliant songwriter and hip honkytonker, with an amazing ability to put a new twist on a familiar style,with every release. On "Tomorrow's Sounds Today" that twist is the outstanding steel guitar playing by Gary Morse, right up front with Dwight & Pete on almost every track. We still get great fiddle (by Scott Joss & Don Reed) but it's the steel that makes this different. Pete Anderson's flawless production and guitar work deserve a 5 star mention too - after all he's an integral part of the Yoakam "sound". Dwight has referenced many of his influences over the years (incl. Johnny Cash, Ray Price, Elvis Presley, Buddy Holly, Buck Owens, Lefty Frizzell, Merle Haggard, Roy Orbison and Ralph Stanley) and on this disc he brings Buck Owens into the studio for harmony on the Yoakam/Owens co-write, "The Sad Side Of Town" and two great duets: "Alright I'm Wrong" (Tex Mex style with accordion by Flaco Jimenez) and "I Was There", an Owens original. More influences show up here on two standout tracks: Dwight tips his hat to Hank Williams on "The Heartaches Are Free", and there is a real Allman Brothers feel to "Free To Go". Elsewhere we get a country version of Cheap Trick's "I Want You To Want Me", and the other highlights:"Love Caught Up To Me", "What Do You Know About Love", "Time Spent Missing You", "A Promise You Can't Keep","A Place To Cry","Dreams Of Clay","For Loves Sake", & "A World Of Blue", make this another superb album from Dwight. "Tomorrow's Sounds Today" joins "A Long Way Home", "Gone", "This Time", If There Was A Way", "Buenos Noches From A Lonely Room", "Hillbilly Deluxe", and "Guitars, Cadillacs Etc." as Absolute 5 Star Essential Country! | |
"TOMORROW'S SOUNDS TODAY" - ESSENTIAL COUNTRY ! | |
| Dwight Yoakam is the shining light of Contemporary Country Music - a brilliant songwriter and hip honkytonker, with an amazing ability to put a new twist on a familiar style,with every release. On "Tomorrow's Sounds Today" that twist is the outstanding steel guitar playing by Gary Morse, right up front with Dwight & Pete on almost every track. We still get great fiddle (by Scott Joss & Don Reed) but it's the steel that makes this different. Pete Anderson's flawless production and guitar work deserve a 5 star mention too - after all he's an integral part of the Yoakam "sound". Dwight has referenced many of his influences over the years (incl. Johnny Cash, Ray Price, Elvis Presley, Buddy Holly, Buck Owens, Lefty Frizzell, Merle Haggard, Roy Orbison and Ralph Stanley) and on this disc he brings Buck Owens into the studio for harmony on the Yoakam/Owens co-write, "The Sad Side Of Town" and two great duets: "Alright I'm Wrong" (Tex Mex style with accordion by Flaco Jimenez) and "I Was There", an Owens original. More influences show up here on two standout tracks: Dwight tips his hat to Hank Williams on "The Heartaches Are Free", and there is a real Allman Brothers feel to "Free To Go". Elsewhere we get a country version of Cheap Trick's "I Want You To Want Me", and the other highlights:"Love Caught Up To Me", "What Do You Know About Love", "Time Spent Missing You", "A Promise You Can't Keep", "A Place To Cry", "Dreams Of Clay", "For Loves Sake", & "A World Of Blue" make this another superb album from Dwight. "Tomorrow's Sounds Today" joins "A Long Way Home", "Gone", "This Time", If There Was A Way", "Buenas Noches From A Lonely Room", "Hillbilly Deluxe", and "Guitars, Cadillacs Etc." as Absolute 5 Star Essential Country! | |
Entusiastic "real" country that refuses to dissapoint | |
| Dwight Yoakam's Tomorrow's Sounds Today is a conspicuous title considering the album's constant references to a sound that witnessed its livelihood many a yesterday ago. But, any listener familiar with Yoakam's reputation, would come to expect that the country singer's retro-styling would only make the music involved more interesting. Lyrically, Yoakam maintains his penchant for writing simple, intelligent, poetic odes to love gone wrong, romantic indecision, and dreams gone amuck. Although the stock ingredients for country storytelling are utilized frequently throughout these songs, Yoakam still manages to use his criminally underrated songwriting talent to breathe life into tracks that would likely meet undignified demise in the hands of less capable songsmiths. The track listing on this album reads like a lost album ala Morrissey with titles such as, "A Promise You Can't Keep," "A World of Blue," and "Love Caught Up To Me." Yoakam's appeal, however, always did lie in his ability to paint a self-portrait of himself as a desperate, self-loathing fool. Riding on the strength of these tunes, this album shines as bright as a southern star. While it's safe to say that Yoakam has once again spent some time writing from a room at the Heartbreak Hotel, with songs such as "Time Spent Missing You," "A Place To Cry," and the exceptional "Dreams of Clay," it is also quite obvious that he still possesses his uncanny ability to make it sound hip to be broken-hearted. Armed with his trademark country croon, Yoakam trots through an album that revisits influences ranging from Buck Owens (of which he duets on the album's closing bonus cuts) to Elvis to Cheap Trick, with a cover version of their age old hit "I Want You To Want Me." Basically, there is a gem of some sort here for most anyone. Although not quite a seminal D.W. recording, this one still concludes making you feel pretty cool to be blue. |