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![]() [Larger view] | The Serpent's Kiss
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Serpent's Desire | |
| It seems that our fine Mr. McGregor has a terrible propensity for duplicity. One minute he's starring in big-budget Hollywood productions (Moulin Rouge/ Star Wars), the next he appears in little unknown art house films such as The Serpent's Kiss, which no one saw along with Nora and failed terribly at the box office. As far as The Serpent's Kiss is concerned, I wish more people knew about this film. Not only is it well acted by a well assembled all-star cast (such notables as Greta Scacchi, Pete Postlethwaite, and Richard E. Grant), but is beautifully photographed and the plot is sure to thrill you - if you can sit still long enough to pay attention. I almost gave up on this film solely due to the irritating nature of Ewan's poor Dutch accent, but as the film continued I was relieved to discover that the accent was supposed to be that way due to the nature of the character (believe me, I was very relieved - for a while there I thought Ewan was getting lazy and had stopped trying). This film also manages to make gardening seem interesting - and erotic even, as the sexual tension between a few of the characters thickens very, very quickly. The DVD sadly is disappointing as there are no behind-the-scenes special features which is what I half bought the thing for. So you are buying the CD for the movie alone. This film is entertaining and beautiful, and Ewan is just gorgeous in it, but not his best work. | |
"A garden is a celebration of art's triumph over nature." | |
| "The Serpent's Kiss" is a costume drama set in England at the end of the 17th century. Landscape designer Meneer Chrome (Ewan Macgregor) is employed to create a garden for Thomas Smithers (Pete Postlethwaite). Wife, Juliana Smithers (Greta Scacchi) has a bit of a wandering eye, and so far her eyes have roamed towards her foppish cousin, James Fitzmaurice (Richard E Grant). Fitzmaurice once courted Juliana, but he lost her to the wealthier Smithers. Fitzmaurice is responsible for Smithers employing Chrome, and it seems that this is all part of a shady plot of revenge. A wilderness currently exists to the rear of the family mansion, and Chrome is employed to tame this wilderness and to design and create a spectacular garden. While planning the garden, Chrome becomes involved with daughter Thea Smithers. Thea (Carmen Chaplin), who also calls herself Anna, is a strange creature. She's apparently considered quite mad by her family. She's obsessed by Metaphysical poet Andrew Marvell, and quotes lines from "To His Coy Mistress." I read several professional reviews that compared "The Serpent's Kiss" to Peter Greenaway's film "The Draughtsman's Contract." I see no such similarity beyond the period in which the films are set, and the fact that garden designs are involved. "The Serpent's Kiss" is really a rather silly, luke-warm love story, plonked onto the top of an implausible revenge plot. The villain--James Fitzmaurice--isn't villainous enough, and the plan of revenge is far-fetched, tepid and unlikely. Surely there are better ways to enact revenge upon the husband of one's lover than to make him build a really expensive garden. The planning and creation of the garden just seems like a pretty way to delve into the plot and create the false impression that we are enjoying authenticity here. And yes, to be honest, the creation of the garden is one of the more interesting aspects of the film. Other fascinating tidbits here include Thea's so-called medical treatments (including leeches) and the supernatural elements within the film. There is a deeper meaning to the story, but it seems to be created as rather an afterthought. I really wanted to like the film more for the slivers of originality it displayed, but unfortunately, overall the film was bogged down by mediocrity and the tepid love story--displacedhuman | |
Nature vs Man...I wish! | |
| This is a bad film. There are many fine actors in it, people who have made mediocre films quite memorable. But they cannot salvage this turkey. The plot is obvious, the sets cheap and flimsy, the language never convincing, and the dreadful, tedious, and completely uninteresting Carmen Chaplin makes a overwhelmingly telegraphed romance not only unbelievable but implausible. Nice costumes, but this is a lame film, never really addressing its "theme" and containing all sorts of mysterious and silly developments that are never utilized. Maybe it would have been good if they left all the missing stuff in, but for a boring movie it sure felt rushed. About the worst thing one could say about it....both way too long and not nearly long enough. Justifiably unknown. |