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Turbo [Bonus Tracks]
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Judas Priest - Turbo [Bonus Tracks]


Our price:$11.98
Media:Audio CD
Record label:Sony
Release date:19 March, 2002
Average user rating: Average user rating: 3
User rating: 4The synth experiment that brought them from fame to infamy
Turbo. Judas Priest's tenth album. They had just come out of their most successful period in the band's career. Screaming For Vengeance(1982) became the band's best selling album with Defenders Of The Faith(1984) meeting the fans expectations, despite panning by the critics. Now we arrive to the 85-87 era: the period in rock/metal history where numerous hair bands popped up and other bands brought forth the heaviest usage of synthesizers the whole decade. Joining the bandwagon is the legendary Judas Priest, whose reputation was previously brought up by their trademark heavy sound and solid influence on popular metal. Well, as the linear notes say, they decided to push parameters of metal into unfamiliar territory. And that's exactly what they did.

While experimenting with tons of synthesized guitars and sequencers, they managed to create enough songs to release as a double album. They were originally going to release a 2-disc set called "Twin Turbos" but their record company denied them, so they scrapped some of the songs and saved a few others to be released in the upcoming Ram It Down(1988) album. So instead, they just took their commercial radio-friendly tracks and created Turbo(1986). While they managed to gain some new fans through their two singles, the rest of the fans dropped their jaws in dismay at what their favorite band was now playing.

The only song that still gets airplay off this album is its powerful title track, Turbo Lover. Despite the synthesizers, it manages to be dark and haunting, unlike the rest of this album. I dissagree with other reviewers who say that Turbo sounds purely like hair metal. For the first half or so, it resembles more along the lines of heavy pop/rock like Kenny Loggins's Danger Zone or anything else off of the Top Gun movie soundtrack that came out that same year. Out In The Cold is a powerful ballad, while Private Property, Locked In, Wild Nights Hot & Crazy Days, and Reckless are general rockers that fans may like or hate. The other three tracks are awful throwaways which could have made way for the much better album cut, Prisoner Of Your Eyes. All Fired Up is a good Freewheel Burning style song, but the live version of Locked In belongs in Priest...Live!(1987)

Following the album, Priest had their biggest American tour and then returned to true heavy metal with Ram It Down(1988) and Painkiller(1990). Unfortunately Turbo's differenciation put a permanent scar in their reputation and to this day they have never fully recovered. Overall, I cannot recommend this album to first time Priest listeners because of its radical difference from the rest of the catalogue. But then again I can't recommend this to the hard-core Priest fans either. I guess if you have a soft spot (like me) for 80s power pop/rock and hair metal style music with layers upon layers of synthesizers then this might be for you. IF NOT THEN STAY AWAY. STAY FAR AWAY. THIS IS NOT SCREAMING, DEFENDERS, OR ANYTHING ELSE THAT THEY HAVE DONE. At the very least listen to the title track. I give this album 3 stars for the album itself, and added an extra star for the great-quality extra tracks and the incredible remastering (this album seems to benefit the most from the volume boost), giving this an overall 4 star rating. If this album has two chief strengths, they are 1) the killer title track and 2)Showing the fans that they have the balls to try something new and different. Did they succeed in doing so? Yes. But do the fans like it? Not so much.

User rating: 2...or actually 2.5 stars
When Judas Priest released "Turbo" in 1986, the album divided the fans into two separate groups: the ones who liked it and the once who hated it. Some fans thought that Judas Priest had abandoned heavy metal much due to the use of synth guitars and more pop sounding songs. It's clear that "Turbo" is far from the bands finer efforts but if the album is that bad as some claim can be questioned. Some songs are rather good like "Locked in" and "Hot for love", but the punch and drive from previous albums like "Killing machine" and "British steel" are sadly missing this time. And with songs like "Rock you all around the world" and "Wild nights, hot & crazy days", Judas Priest got caught up in juvenile rock clichés. By the time of Judas Priest's next album ("Ram it down"), they made a total turn over and released by that time their heaviest album ever, but something essential had vanished. To be frank, Judas Priest haven't been able to regain the creativity or the high standard in material and neither "Painkiller" or "Demolition" are good - just metallic! Let's hope the return of Rob Halford can steer Judas Priest in a proper direction.
User rating: 4"Without warning, something's dawning, listen"
I like it when bands/artists experiment. Some of my favorite albums are ones that explore music beyond an artist's typical sound like the New Wave inspired Under Wraps by Jethro Tull or the more synthesizer-driven Somewhere in Time by Iron Maiden. I also like Judas Priest's experiment with synthesizers on Turbo. With all the hair bands making it big in the mid-1980s, Priest decided to try a different sound (Rob Halford looked pretty good with the longer blond locks and even the drummer got a perm by the time this album came out). Turbo does not sound like Poison, but it is more radio friendly than Defenders of the Faith. Turbo was planned to be a double album. When that plan was scrapped, many tracks were left off. Some found there way on Ram it Down like the title track, "Hard as Iron," "Monsters of Rock," and "Love You to Death." The first two were virtually complete at the time of Turbo. It is difficult to imagine what a double Twin Turbos album would be like as Ram it Down is so much different than Turbo. It may have helped fans accept the synthesizers if half the album gave them the more typical Priest sound. Most fans did not like Turbo because it did not sound enough like Judas Priest. I remember reading a letter in a rock magazine where a fan admitted to crying when he first heard the album. Well, it's not that bad. In fact, some of the tracks here are excellent and one is incredible.

"Turbo Lover" is a very cool track. The synthesizers make it sound like a futuristic motorcycle cruising down the highway and the guitar solo is awesome. "Locked In" is very commercial but darn catchy which was accompanied by Priest's most creative music video. Other catchy tracks include "Private Property," "Wild Nights, Hot Crazy Days," and "Reckless." "Hot For Love" is also pretty good but the chorus seems disjointed. The guitar break demonstrates how bands like Iron Maiden were influenced by these metal statesmen. The best track, by far, is "Out in the Cold." It is an amazing, powerful ballad and one of my all-time favorite Priest songs. It is worth the price of the album alone!

In my opinion, Turbo's main flaw is that it didn't go further in its experimentation. It becomes very commercial with tracks like "Parental Guidance" (an obvious knock on the PMRC who criticized the track "Eat Me Alive" off their previous album). "Rock You All Around the World" is one of those "all hail us" song that I do not care for. Despite these tracks, Turbo is still a good album. It probably should not be the first Judas Priest album you buy, but it is not as bad as many make it out to be.

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